Do you select the music you sing or does the repertoire
select you? Successful young singer
stories and repertoire selection. With
Whom Do You Identify? Part 3 – Keith Phares
Keith Phares, a young Baritone in the opera world is another
example of a musician turned singer. Keith
actually got his start in music as a trumpet player. When in high school, he played the trumpet in
the band and pit orchestra. One year,
the director of the musical encouraged him to try out for the production as a
singer and actor as they were very short on men for the production. Keith gave it a whirl and made it. His thoughts were why not? I like musical theater,
singing with the radio, and cute girls. Keith was in many small productions in high
school and early on in college. His true
passion for singing however did not develop until junior year in college.
At the University of Richmond, Keith played trumpet in the
jazz band and pit orchestra as a psychology major and was in a couple of music
theater productions. He also took voice
lessons. The experience which really
changed him was participating in a summer program in his home town. After that summer, he returned to school and
asked his voice teacher, Do you think I
really have the voice to make it as a professional singer? His voice teacher encouraged him to pursue it
as she felt he really had the voice and the passion.
Keith auditioned for and got into New England Conservatory
of Music and admits he really didn’t have a clue about the work required to be
a professional singer. Here he learned a
‘good work ethic and learned to be self-sufficient while taking classes’ www.classicalsinger.com, December
2002. Keith then attended Julliard Opera
Center where he was given opportunity to prove himself as a singer and
musician. Through much work, he has
developed a very successful opera career as a 35 year old baritone. For details on his singing career, visit http://www.keithphares.com/.
Keith Phares admits, ‘the music found me’. Who would have thought a trumpet player from
South Carolina who first started singing to impress the girls in his high
school would have a career in the opera world?
Another example of how the repertoire finds the singer, the singer doesn’t
always choose his best repertoire.
What is your repertoire story? With whom do you identify for repertoire
selection?
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